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What to Watch Tonight: VICE on HBO

Last night, I went to HBO HQ in Bryant Park for the premiere of VICE, Vice’s new TV show on HBO (I know it’s confusing) for salty nuts and wine in plastic cups from unionised bartenders. I can’t explain things well so watch this hereto video.

VICE, a news magazine series that will premiere exclusively on HBO, smashes barriers of decorum to cover such stories as out-of-control political assassinations in the Philippines, the sumo/Mixed Martial Arts craze that has swept Senegal and the precarious nuclear stare-down in Kashmir.

The first two episodes were shown, featuring failed suicide bombers, the Kashmir border conflict, as well as  a clip from their visit to North Korea with Dennis Rodman and the Harlem Globetrotters. If you’ve ever seen any of the VICE documentaries before, they’re pretty powerful and uncomfortable stuff.  As there was a Q&A afterwards, I felt I wanted to ask a question because I feel I don’t contribute enough to things like these. However, all the questions seemed mostly legit, and my question was rather foolish, and as my mother now tells me I’m on the wrong side of 25, I feel now is a time to learn to shut up. So I simply coerced Shane Smith with a beer afterwards to ask the most pertinent and important question in the history of Q&As:

“Do people have to genuflect and kiss the ring?”

 

Shane laughed and said he would make people do it. I hope he does.

VICE premieres exclusively on HBO on April 5th at 11pm EST. Other documentaries can be seen on the VICE YouTube channel.
(If you don’t have HBO, I’m sure they won’t mind you finding another way to watch it. BTW I am not condoning any illegal nefarious activity)

 

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Inside USA Network’s Political Animals Premiere + Afterparty

USA Network’s new show Political Animals premiered on the 25th at the Morgan Library and Museum in Manhattan.  I love museum venues, and this one, which I hadn’t heard of before, once housed the rare books collection of American banking tycoon, J.P.  Morgan.  It was very cool to explore, although the small space made it a bit crowded (press had to view the screening in the lobby while regular guests got to go to a legit screening room).

Political Animals Premiere and Afterparty

USA outfitted the entire place with giant red, white and blue balloons in keeping with the theme of the show- which, if you couldn’t tell, centres around American politics.

Political Animals Premiere and Afterparty

Actually the show is basically a soap-y dramatized version of the Hillary Clinton story, starring Sigourney Weaver as a former First Lady turned Presidental Candidate turned Secretary of State, and Ciaran Hinds as the sleazy ex President.

Political Animals Premiere and Afterparty

I am (or used to be) obsessed with politics and basically worship Hillary Clinton if you didn’t know (I once volunteered for her campaign, and would go on possessed rants about all the unjust sexism I’d see in the media) so theoretically this show is right up my alley.  It’s not a bad show, but it’s very heavyhanded and the dialogue is too on the nose (which means the characters unrealistically say exactly what they feel exactly when they feel it).   It is a summer show on USA though, and not HBO or anything, so I can’t fault it or anything.  I also enjoy that there is an Asian character.

On the other hand, the event itself was highly enjoyable, with both a photobooth and gift bags containing branded animal crackers and t-shifts.

Political Animals Premiere and Afterparty

I joked I would somehow charm creator Greg Berlanti into giving me a writing job on one of his shows but chickened out of talking to him (it was a bad day: I had to endure a pervert in an empty subway car going there).   An actor he worked with did tell me he is one of the nicest, most genuine people in Hollywood.  That is of course, completely expected: as if an asshole could create the sensitive father/ son drama Everwood.


Greg Berlanti, phwoar.

He is also extremely, extremely good looking- not even good looking for a writer, but good looking by general standards to.  Prompting me to wonder why someone with looks like that would choose to write if he could act/ model/ run for political office instead.  Actually, this was something that Carla Gugino said to some wannabe journalist in the show, except with porn star as top in the list of options.   Never mind, I take it back, Political Animals is a good show.  Go watch it.

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Review: Estee Lauder Mad Men Collection Blush + Lipstick

First of all, I love Mad Men more than life itself. Okay, that’s not entirely true- at least this season it isn’t. Admittedly my life too suffers from ups and downs in quality, but this season has been uncharacteristically uneven. Nevertheless, Mad Men is still known as the little cable show that could. As AMC’s first scripted series, it put the scrappy channel on the map, and along the way, introduced the world to the glory that is Jon Hamm. And it is also a juggernaut in the fashion world, with its influence evident on catwalks since the very first season.

Surprisingly enough, with a plot centered around the Golden Age of the advertising industry, there have been relatively few media tie-in products capitalizing on its success. Most likely, Matthew Weiner, the notoriously anal showrunner, keeps a tight leash on the licensing rights. But in any case, in the years past, Mad Men has inspired a decidedly uninspired line at Banana Republic, and a line of limited edition Mad Men Barbie Dolls that little resembled the actors.


Constance Jablonski by Craig McDean for Estee Lauder Mad Men Collection.

This year, however, Estee Lauder teamed up with the show to introduce a limited edition creme rouge blush and lipstick set, in Evening Rose and Cherry, respectively. I’ve been drooling over them since it was announced three months ago, right when the current season first premiered. Estee Lauder was nice enough to provide a set for review, to coincide with the season finale this Sunday.

And what is not to love about the whole thing? The retro ’60s inspired ads feature a Betty Draper-like blonde ingenue with a “who, me?” look on her face. You know- the dream. The packaging itself is also vintage inspired- old fashioned typography on a box with a lovely floral design and a wallpaper like feel. Not unlike something you’d dig up in your grandmother’s trunks in the attic when you were a small child- if your grandmother was a rich white lady that is, which mine was not.

Obligatory Instagram shot

A gold pleather pouch house the shiny gold casings of both the compact and the tiny bullet sized lipstick (the size is true to lipstick size in the olden days). The overall effect is incredibly classy. Way too classy to carry around and wear on a daily basis, at least for me. I will have to save it to whip out only on special occasions- like during the intermission of an opera or whathaveyou, right after I catch the eye of a Daniel Craig lookalike and right before I make a fool of myself in front of him.

But in all seriousness- the creme rouge is soft and quite easy to apply, and the color is a classic shade suitable for just about all skin tones. The lipstick, though lovely, is a bright, pink red, that I don’t quite think can be pulled off by just anyone. At $25, the lipstick is a good collector’s item for vintage makeup junkies, but you’d get more use out of the $40 blush.

Fancy creme rouge making a mockery out of my other blush

I applaud Estee Lauder for reviving a part of its history, and only wish it wasn’t limited to just the one lipstick color and blush. They will launch a second collection to coincide with season 6 next year, so hopefully that can be remedied. The supply is highly limited, so get it at Esteelauder.com while it lasts. And don’t forget to catch the season finale of Mad Men this Sunday. I myself will be attending a dressy season finale party in Manhattan, where I expect to show off my newest toys at every opportunity.

Betty Draper would approve.

The Mad Men Limited Edition Collection was provided by Estee Lauder for review purpose. There is no pay for play unless specifically listed as advertorial or sponsored. See FAQs for more details.

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Inside the USA Network Upfronts + Afterparty

This week marked the end of Upfronts Week in New York. If you don’t know what Upfronts are – and it’s cool if you don’t, I only knew the term from Lisa Kudrow’s shortlived HBO show, The Comeback- it’s a yearly ritual where all the TV networks put on a show to pimp out their upcoming season to advertisers in New York. It’s purely an insider’s event: they fly their major stars, show runners and executives to the East Coast for a week long affair of boozing and schmoozing with the sponsors who bankroll them. For the masses not involved in either industries, this week is better known as the time when renewals and cancellations are announced.

I was lucky enough to get a press invite to the USA Upfronts presentation this year. It was my very first Upfronts, and it also happened to be the very last event this year. The USA Network is one of the few cable channels to do one, and certainly it’s the cable network with fanciest venue- this year’s was held at Alice Tully Hall of New York City’s Lincoln Centre, better known as the home of the New York Philharmonic. Of course that’s probably because, as repeated multiple times during the presentation, USA is currently the highest rated cable network in the US.

USA Upfronts 2012

USA TV posters featured inside the Alice Tully Hall

Glitzier Upfronts typically include some kind of musical performance or comic routine. The USA Network had both: performances from Mark Ronson, the Dap-Kings and Erykah Badu, as well as a genuinely funny monologue by Bruce Campbell. The show itself is basically like a very, very awkward awards show, if you can imagine such a thing.

USA Upfronts 2012

Erykah Badu (who replaced Jennifer Hudson last minute) killing it onstage after the presentation. 

Two actors come on stage every few minutes to present a little video segment on a new show (Graceland! Political Animals!), or some warmhearted corporate slogan (USA doesn’t stand for hate!). Like an awards show, there is a lot of poorly scripted banter. Unlike an awards show, that is literally all there is. There are no genuine, unscripted moments, ever. The only laughs happened when the actors messed up reading the teleprompters. I have a degree in screenwriting and know people who went on to make big bucks writing award show banter, so I always feel bitter when I have to witness stuff like that which I could do better myself. But I digress.

Of course the Upfronts parties are where it’s at. The big networks hold theirs at fancy restaurants and steakhouses across New York. USA held theirs in the lobby of the theater where they put on their show. It was a bit crowded, but I couldn’t complain. There was booze and food, and it satisfied my ultimate event requirements: there were both a photobooth and swag. Okay, so their gift bag contained a T-Shirt and some postcards- but who doesn’t appreciate a free T-Shirt to sleep in? It’s the simple things that make me happy.

USA Upfronts 2012

The crowds outside the Lincoln Center afterparty

Photobooths on the other hand are pretty much de riguer at happening events these days. I am known to haughtily complain on twitter if I am at an event and there isn’t one. USA did one better by hiring photographers with polaroid cameras Fujifilm Instax cameras to mingle amongst the crowds, asking if anyone wanted a picture taken. My one complaint was that the photographers weren’t so much photographers as mildly competent models from a low level modeling agency. I had to ask one of them this because my photo with Matt Bomer came out with my face half cut off.

USA Upfronts 2012

Which brings me to to the fact that I did something which I never, ever do, which is, I walked around and asked actors to pose for photos. Yes, like I was some tourist or something. As I might have mentioned before, I went to film school, and as a rule, am trained to remain stony faced around famous actors, no matter how good looking they may be. God forbid I act like some fan or something lest they recognize me later on in life. But the Upfront crowd was full of ad industry types with no such pretensions. The actors were essentially paid to hang around, fake small talk and pose for photographs. It was a little sad, actually, but that’s what you got to do. So when in Rome, I figured. Like a Pokemon Master, I collected Polaroids with Matt Bomer, Tim DeKay, Mehcad Brooks, Christopher Gorham (I commended him for his performance in Popular), and Gina Torres (who is depressingly skinny in real life). My one regret was that I couldn’t find Piper Perabo, and that I didn’t have the guts to interrupt Bruce Campbell’s conversation for a photo.

All in all, I had a blast at USA Upfronts. Here’s to the future, where I hope to attend many more of them, hopefully at least once as a showrunner or writer.

**note from Sabrina – I can’t explain how jealous I am that Jessica got to meet Matt Bomer. SO SO GREEN WITH ENVY.

Matt Bomer

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The Anatomy of an Awards Ceremony

Or should be actually named, “The Anatomy of the BRITS” aka Why Does It Always Suck Balls?

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Damn you Glee

The first time I heard this song, it took 2 years to get out of my head. Now it’s on constant loop.

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"Important blogger? Isn't that an oxymoron?"

Anyone can be a writer these days. I’m not gonna go on how blogs, Twitter and everything else has ‘revolutionised’ or ‘dumbed down’ the writing sphere. Anyone can call themselves a writer – it is true. How do you judge the worth of a writer? Whether you’ve had something published? I’ve had pieces published. But what of it, if no-one reads it?

My biggest coup to date is being published in Time Out, 3 weeks in a row. But they were small pieces, in a corner, I doubt anyone would have read them. But I’m still proud of it – because I’m on the up, I hope.

Blogging is, however, a great way to put yourself out there to the whole global community. However I think it should be your starting off point, diving board you are WordPress. Look at Ta’Vi, Scott Schuman (although his is a photo blog) and Susie Bubble, they have avid followers from around the world. However do people follow them because they genuinely are interested in what they post – or because everyone else does it? Same with books, magazines, popular music, fashions…

Anyway the post title is a line from this weeks’ “Bones” – David Boreanaz is sexier in it than he was in Angel, no lie. Didn’t think it was possible eh? At least as an FBI agent he can age, and damn does he age WELL.

Agent Seeley Booth in ‘Bones’

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